Boston-bred MC Slaine has never been shy about his drug- and alcohol-fueled adventures. His latest opus, The King of Everything Else, is a full-length account of those adventures.
The LP is nothing if not cathartic, and for good reason. From the album’s opening track, “No Handouts”, it is made clear that Slaine has a lot of emotional baggage, the probable root cause of years of drug and alcohol abuse. Indeed, brutally honest tales of sex, drugs, and firewater are abundant on The King of Everything Else. Lyrically, the MC’s wordplay is sharp, his storytelling detailed and, at times, darkly comical. The production, for the most part, has an air of orchestrated recklessness, a perfect match for Slaine’s heavy-hearted rhymes. Early standouts include “Dot Ave”, a portrait of the complacency and intoxicated limbo that plagues those hailing from Boston’s Dorchester Avenue, and “Pissed it all Away”, where Slaine predicts his decline into irrelevance, the product of his constant debauchery. On “The Years”, Slaine recounts the years-long cycle that begins with the childhood dream of playing pro baseball. His aspirations quickly shift to being an MC, prompting a move to New York before his addictions inevitably land him back in Boston, fearing for his life. The tale ends with him avoiding a potentially fatal conflict and a reinvigorated desire to hone his craft. Another gem is the Statik Selektah-produced “Our Moment”, which depicts a tumultuous relationship of Slaine’s, one that hits both extremes of the emotional spectrum, but very little in between.
Slaine’s long history of using drugs is a running theme on The King of Everything Else. In fact, one could argue that the album is overly saturated with his dope-fueled shenanigans. In the rapper’s defense, he’s shed light on some of addiction’s many facets. On “Bobby Be Real”, Slaine plays Dr. Jekyll to the doped up “Bobby’s” Mr. Hyde, with Tech N9ne and Madchild aiding in the storytelling. “Dopehead”, featuring Special Teamz cohort Jaysaun, is a portrait of the typical junkie/tweaker, from the raggedy appearance to the never-ending quest for the next fix. The next stop on the drug train is “Come Back Down”, where Slaine, Checkmark and Vinnie Paz look for a permanent oasis from their many hardships, opting to keep desperately chasing that ever-elusive high. Finally, on “Gettin’ High”, produced by La Coka Nostra’s DJ Lethal, Slaine and West Coast MC Demrick each narrate their introduction to their respective poisons of choice.
When considering Slaine’s recent sobriety, The King of Everything Else seems like the ultimate purging of his demons. Underneath the trifecta of vices that is booze, drugs and pussy, the LP is his effort to rid himself of his tempestuous past. With all the soul-baring tales he’s told, if this album doesn’t do it, nothing will.
Gems: No Handouts, Bobby Be Real ft. Tech N9ne & Madchild, Pissed it All Away, The Years, Hip Hop Dummy ft. Apathy & Bishop Lamont, Our Moment, Defiance ft. Rite Hook, Gettin’ High ft. Demrick